Supertanker - Full Flavor - Shut up and listen - a slew of punks
some Ramblers
I've got it rough. To do this column properly I'm forced to attend concert after concert, consuming gallons of milk and rubbing elbows with that most unpredictable of all celestial entities: the rockstar. It's no small feat, and I fear it might be interfering with my day job at the Bird Call Emulation Facility. I don't remember it too well, but I'm told that after passing out on the testing range a couple days ago, I was heard muttering: "No, Britney: salt first, then tequila and then the lime." It gets pretty crazy in rockstarville. As I left work today, someone I've written about yelled "CRISPY!!" out the window of a passing vehicle. Don't these rockstars know how to read? It's CRIPsy, thank you very much. Not crispy. Crispy means brittle. CRIPsy means a duck who talks trash about your band in the local paper. Ever heard of Nipsey Russell? Think Nipsey, but say Cripsy. These people think I'm some kind of Cantonese entree.
My labors began early this holiday season with a 10th Anniversary party for the C-Ville Weekly. Ever heard of it? It's a cool little rag out of Charlottesville, Va. that.... ah, never mind. Anyway, they had this party on the Corner in the old Anderson Brothers building, a giant empty space awaiting the influx of a new Plan 9 and a sorely needed Higher Grounds. Therein, a bunch of literary-type folks and sympathizers were cavorting and carrying on in a "ho-ho-ho" kind of way and generally soaking up a lot of free suds in honor of central Va.'s most interesting journalistic endeavor. Supertanker was providing the mood music, jamming amidst candles and dangling decorations. If you recall, instigator Peter Greisar's home brewed CD Disposable Love Songs was a lovingly dry underground Bowie-esque kind of affair, and early versions of the Supertanker band reflected that ethic. They have since been infected by the jam, sometimes even resembling a psychedelic rock outfit. Arrangements are no longer eerily sparse, but fleshed out and occasionally overstuffed. The rhythm section of Ben Jacobs, Rod Coles and Raphael Wintersburger is a raggedy powerhouse combo that would be difficult (if not at least uncomfortable) to leash, so keeping them "on a long lead" seems a happy alternative, but some of the Greisar effect's lo-fi charm may have been compromised in the process. You can dance to them better now, but it's as if the jam obscures some of the quirky genius haunting Greisar's stuff. Then again, I liked them alot anyway and I had absorbed a quantity of free suds by the time I arrived at this thought, so I could have been... (hic)... mistaken. (never!) (Duck Note: This review provoked an angry response.) The band quit playing and it was still Monday night so I knew I could catch Full Flavor upstairs at Michael's Bistro.
On Thursday night I stopped by "Shut Up and Listen" at Tokyo Rose. Without overhyping the happily well-attended event, it should be said that Peter Greisar was deeply appreciated in solo and duet form, Karmen and the mini-Fridge were lovely, David Sickmen returned gracefully to the realm of pretty pop, Lauren Hoffman delivered the goods (and a cool-ass Bella Morte cover) and the My Art Project provided an earful of original acoustic stuff.
-Cripsy Duck
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